Last week, Jeffrey, Cole and I traveled to Boston to meet Seth, see his work in person and attend his art show at the Liberty.
When we arrived Seth was still setting up so we dove in and starting helping setting up his paintings.
Throughout the night Seth shared his brand new watch which was our interpretation of the Goldfish painting that was in above photograph.Another one of Seth’s brand new paintings. If you would like to see the progression of the Mercedes you can become a fan of his on FB and see it from sketch to finish.
It was great to meet Seth and see his work in person. We will be a part of his next show at the Liberty in November.
Jeffrey, Cole and I will be attending Seth’s opening this coming Tuesday evening. This will be the first time that we have seen his large pieces. If you are in the Boston area, stop by and enjoy Seth’s work. Jeffrey will also be giving Seth his own watch that he commissioned Jeffrey to create for him. It is one of our favorite watches that he has made. It is an interpretation of Seth’s goldfish painting.
For the first time ever we are sharing a video of how we make our watch cases. In this instance we are working on the brand new Model 1920. You can see he machining of the cases and lugs, and the creation of the coining pattern on the front of the case. Please feel free to share it with any other watch enthusiasts.
Manufacturing a watch in America is a dying art form, only a handful of companies in the states are still creating timepieces. We are proud to be one of then and are dedicated to the idea of rebuilding the great American heyday of watch making one watch at a time. Over the course of the next few weeks I will take you through the steps of creating the Model 1920, from the concept drawings to a final photograph of the base Model. After many hours of research and planning the actual building of the prototype is under way.
Jeffrey created the Montana Watch Company out of his love for vintage timepieces. He is drawn to the design elements that are prevalent during different eras. Before he decides to create a new timepiece he researches resources looking at watches that strike him for one reason or another. In this case he has pulled inspiration from watches manufactured in the 1920′s when a transition in style occurred. The 1920′s started a period where watch design followed form rather than function. Up until that time function paid a more important role in design. A design shift moved away from wire lugs into a more substantial lug bringing another element to watch design. The unique aspect of the Model 1920 are the hinged lugs. This design presents a variety of challenges and here is how Paul and Jeffrey are dealing with the problem of creating square lugs and adhering them to the round case.
Model 1920 Lug Design
The sketch of the lug design that Paul has drawn shows the radius of the cut out. Each of the lugs starts out as a round piece of bar stock. Each edge is then squared off and then the top and bottom radius is put into it. In order for this design to work the tolerances have to be minimal.
1920 Lug Machining
Model 1920 Concentricity Check
Once the lugs are machined they go through a concentricity check, which is basically a sophisticated automotive gap tool. The tolerances are checked and if one doesn’t meet the strict specifications it has to be discarded.
1920 Lugs awaiting final operation
This photograph shows how each lug is cut from the round piece of stock metal. Once the lugs are parted off they will be inserted into square holes which have been milled into the sides of the case. A final process of vacuum brazing ensures invisible seems from the lug to the case. Vacuum brazing is a metal-joining process whereby a filler metal is heated above and distributed between two close fitting parts by capillary action. The filler metal is brought to slightly above its melting temperature and then flows over the base metal. It is then cooled to join the workpieces together. It is similar to soldering.
Check back in a couple of days and watch a video of machining the case.
Preliminary sketch of the Model 1920
For the first time ever we are sharing the creative process of designing and building a new model at the Montana Watch Company. Over the next few posts you will see the entire process of designing and manufacturing a watch here in the USA.
Jeffrey recently created this sketch of the brand new Model 1920 that will be released in August. He painstakenly chooses a font for the numbers and individually places them on the dial until he thinks that are in the exact spot. Once he is satisfied with the dial design he sends it out to the dial manufacturer, here in America, and they create the pieces for him to work with. Once he is happy with the design of the case and lugs he starts to work with our engineer/machinist Paul which is perhaps the hardest part of creating a new watch. Each case and lug system comes with a unique set of problems to be solved, in this case they had to figure out how to manufacture a square lug from a round piece of stock and fit the lug onto a round watch seamlessly. The first prototype is being manufactured as I write this brief introduction. Follow this post and see a video of the cases being manufactured in Manhattan, MT in a few days.
Every couple of years Jeffrey introduces a new watch model because he loves the design of different eras and enjoys creating a new piece with his spin on the era. Many of our clients are collectors and enjoy collecting watches from different time periods. He also loves the challenge of creating something from scratch and solving the various technical problems that inevitably occur when designing a case.
More to come…..
If you would like to be a part of that mailing list please send a note to Catherine at email@example.com, or leave a comment here, so you can be informed of our upcoming projects and events.
Our women’s Bridger Field Watches was featured on Gotham‘s blog. Our first tie on the site.
Manju by Seth minkin
I asked Seth Minkin to tell us a bit about how he approached the challenge of rendering Manju. “The story behind the Manju portrait is similar to most pet portraits that I do- People love their pets! My friend Alex also happens to be a big pug fan in general. Four or five years ago, He requested that I meet Manju and discuss the commission. Upon meeting her, I could tell instantly that I would have no problem creating a great painting. She had so much personality and such a great look. Sometimes, a client can request a subject that may be challenging from my perspective because my end goal is always to create bold and exciting art. I like these challenges.”
Tomorrow we will host the watch that Alex commissioned Jeffrey to create.
5) Where so you see the relationship going in the future? What kind of interesting paths do you see opening up in front of the two of you?
This collaboration is a very special one and this type of project hasn’t been undertaken by a luxury brand before, so I feel that this gives us a unique edge. The ability to represent art as an element of style in this way is truly special and, for discerning clients who have “seen it all,” this process guarantees that their final product will be one of a kind. Jeff and I have a great working relationship and we are both really excited about the potential of this collaboration. Ultimately, we both do what we do because we have a deep passion for creating beautiful pieces and working with interesting, worldly people who have an appreciation for what we do. In working together, we have the opportunity to broaden our artistic visions. For example, we have been kicking around the idea of creating a watch based on an image of a watch face that I create. It would be my interpretation of a dial, painted on canvas, which would then go back to Jeff for his reinterpretation. The ability to work with someone in this manner is especially exciting to both of us, as we are discovering how to work within each other’s area of expertise while pushing the boundaries of our own skill set. In this sense, we can truly be creative without limits and produce incredible pieces that are sure to impress and inspire.
3) What interests you in the process of collaborating with The Montana Watch Company?
I really love watches, as do many of my clients and the potential to have my images be reinterpreted by other artisans is something I find to be very cool. I also think that there is a great synergy between Jeff and I in the sense that we both appreciate each other’s work and there is a great deal of mutual respect between us. I really enjoy the possibility of having a hand at the overall look and design of the time pieces themselves and, for me, it is exciting to take a huge painting that hangs on the wall and transform its imagery into something that a client has on them at all times. This collaboration also adds a little bit of the practical for my clients. It’s wearable art; the watch is a timepiece, as well as being beautiful; it’s another form of expressing their own passions and style. And, most importantly, it takes the concept of customization, personalization and uniqueness to a whole other level. The process of taking the subject of one’s commissioned art work and having that further interpreted in a timepiece is certainly as unique and personal as it gets. For many of my clients who are not artistically inclined, this provides the opportunity to demonstrate their own style and also take part in the overall creative process.
4) A couple of your clients are commissioning you and Jeffrey to do pieces. Can you tell us how a client goes about getting a piece made?
My clients have been very excited to hear about this collaboration, since many of them are also watch aficionados. It just feels like a natural fit between what Jeff and I both do, even though this concept is wholly unique and hasn’t been done before. The process of commissioning a watch starts with a client’s fascination towards a particular painting. I work with Jeff to put together mock ups of different case styles and renderings in a variety of metals to give the client an idea of what the final product will look like. From this point, Jeff handles the details of the actual watches, from assisting the clients in selecting which metals and adornments they would like to use, to choosing a band and many of the other aesthetic options that are available. He and I go back and forth on some of these details, such as the way the image fits in the dial, placement of signatures, etc. It is truly a joint effort in the way we work together and both of us have input throughout the process. Of course, we both work for our clients and their input is of the utmost importance. In the end, the final product is an heirloom quality timepiece with artistic integrity that meets with the client’s seal of approval.